2025/07/06 09:53 v4.5 (chirp-auk)
 
(Suno公式)
Caption:厄払い・供養・鎮魂・送り火を主題に、古語（和歌調）・完全和風構成
SunoURLhttps://suno.com/song/36de1033-7255-4c45-8683-6f334e9ba59b
WikiURL :https://ai.suno.jp/song/36de1033-7255-4c45-8683-6f334e9ba59b
:Tempo: fast-paced driving Mood: ephemeral dramatic spiritual elegant Instrumentation: distorted koto and shamisen layers taiko drum kits distorted electric guitars with Japanese pentatonic scales ambient shakuhachi textures layered choral harmonies Structure: Intro / Verse / Chorus / Verse / Chorus / Bridge / Final Chorus / Outro Vocal Style: female vocal emotional vibrato breathy traditional tone melodic phrasing Additional Instructions: use traditional Japanese scales (Insen or Hirajoshi) in both vocal melody and guitar phrasing blend taiko rhythms with double-kick drums incorporate shakuhachi flourishes in breakdowns insert call-and-response with layered background vocals mimicking festival chants emphasize spatial reverb to evoke outdoor firework festival atmosphere balance distorted guitars with koto/shamisen resonance maintain fast pace with dynamic tempo modulation avoid western harmony for more Japanese modal integrity
:Tempo: fast-paced driving Mood: ephemeral dramatic spiritual elegant Instrumentation: distorted koto and shamisen layers taiko drum kits distorted electric guitars with Japanese pentatonic scales ambient shakuhachi textures layered choral harmonies Structure: Intro / Verse / Chorus / Verse / Chorus / Bridge / Final Chorus / Outro Vocal Style: female vocal emotional vibrato breathy traditional tone melodic phrasing Additional Instructions: use traditional Japanese scales (Insen or Hirajoshi) in both vocal melody and guitar phrasing blend taiko rhythms with double-kick drums incorporate shakuhachi flourishes in breakdowns insert call-and-response with layered background vocals mimicking festival chants emphasize spatial reverb to evoke outdoor firework festival atmosphere balance distorted guitars with koto/shamisen resonance maintain fast pace with dynamic tempo modulation avoid western harmony for more Japanese modal integrity
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