2025/08/22 01:55 v4.5+ (chirp-bluejay)
(Suno公式)
SunoURLhttps://suno.com/song/46c1672d-bb3f-4f6f-9430-fc06c8ddcc0c
WikiURL :https://ai.suno.jp/song/46c1672d-bb3f-4f6f-9430-fc06c8ddcc0c
:Industrial rock alt metal melodiccore aggressive riffs thick bass punchy drums syncopated groove dark synths edgy noise digital processing sound collage machine‑like feel mid‑tempo drive experimental FX split‑amp guitars cool/urban coldness dynamic arrangement whisper/raspy leads loudspeaker vox layered vocals playful yet gloomy melodic hooks cybernetic vibe chorus → breakdown → distorted bridge electronic samples punchy mix sharp transitions heavy sound looped beats multi‑vox club influence robotic slam tension/release unconventional form heavy×catchy fusion mixed language (JP/EN) bold sound design. Recording: Intro “Dmm…” chest hum close‑mic light sat low‑cut ~75 Hz slow‑attack comp tape warble; “sinking/fading”: formant down + LPF; “ghost”: micro‑double ±10 ms + short slap; Bridge “I think I am… fuck off!” 500 ms silence → one‑shot gate cut telephone EQ; Final chorus: degraded (8–12 bit 11–22 kHz) + parallel clean.
:Industrial rock alt metal melodiccore aggressive riffs thick bass punchy drums syncopated groove dark synths edgy noise digital processing sound collage machine‑like feel mid‑tempo drive experimental FX split‑amp guitars cool/urban coldness dynamic arrangement whisper/raspy leads loudspeaker vox layered vocals playful yet gloomy melodic hooks cybernetic vibe chorus → breakdown → distorted bridge electronic samples punchy mix sharp transitions heavy sound looped beats multi‑vox club influence robotic slam tension/release unconventional form heavy×catchy fusion mixed language (JP/EN) bold sound design. Recording: Intro “Dmm…” chest hum close‑mic light sat low‑cut ~75 Hz slow‑attack comp tape warble; “sinking/fading”: formant down + LPF; “ghost”: micro‑double ±10 ms + short slap; Bridge “I think I am… fuck off!” 500 ms silence → one‑shot gate cut telephone EQ; Final chorus: degraded (8–12 bit 11–22 kHz) + parallel clean.
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