2025/05/28 00:58 v4.5 (chirp-auk)
(Suno公式)
SunoURLhttps://suno.com/song/ccddebd7-cc27-4539-9a74-167553422e15
WikiURL :https://ai.suno.jp/song/ccddebd7-cc27-4539-9a74-167553422e15
:150 BPM industrial-dance track: pounding 4-on-the-floor kick metallic snares glitch noise distorted sub-bass frenetic synth arpeggio lead. Build-ups add taiko-style impacts and bit-crushed shamisen-like plucks. Female vocal switches between staccato spoken lines and soaring hooks; key syllables get brief yo-scale turns pitch bends and kobushi-style vibrato—an Enka “cry” delivered in under one beat so the groove never drags. Choruses burst into anthem shout-singing doubled by rough low harmonies then segue to ritual call-and-response chants (“CRUSH THE GEAR!”) backed by echo claps and industrial clang hits. Mid-song C-section drops to half-time: airy choir pads reversed shakuhachi swells emotive Enka inflection; a snare roll and rising noise slam back into double-time for the final assault. Mood: claustrophobic yet euphoric—shattering an endless mechanical cage through a neo-folk dance rite.
:150 BPM industrial-dance track: pounding 4-on-the-floor kick metallic snares glitch noise distorted sub-bass frenetic synth arpeggio lead. Build-ups add taiko-style impacts and bit-crushed shamisen-like plucks. Female vocal switches between staccato spoken lines and soaring hooks; key syllables get brief yo-scale turns pitch bends and kobushi-style vibrato—an Enka “cry” delivered in under one beat so the groove never drags. Choruses burst into anthem shout-singing doubled by rough low harmonies then segue to ritual call-and-response chants (“CRUSH THE GEAR!”) backed by echo claps and industrial clang hits. Mid-song C-section drops to half-time: airy choir pads reversed shakuhachi swells emotive Enka inflection; a snare roll and rising noise slam back into double-time for the final assault. Mood: claustrophobic yet euphoric—shattering an endless mechanical cage through a neo-folk dance rite.
|